Grey Paint. Phenology. Where's the link?

Today I was going to talk about painting greys, that is until I did a look see at  The Riverwood Conservancy new web site- here. Formally the known Mississauga Garden Council, this non profit organization has chosen a new name more suitable to  their role as steward (and much more)of this amazing urban wilderness - that in their words, to which I fully concur-  is both "beautiful and wild".

There is much to explore in this 150 acre old growth forest that is the most ecologically diverse in the Credit Vally watershed. Do you know that the salmon, yes salmon, are working their way through the 6th largest city in Canada, right about - let me check my watch - now?

But what I really wanted to let you in on is the niftyRiverwood web feature, the Phenology Database . At this link one can search for the time and place of the sightings of specific animals and birds. I think this is a great tool for nature lovers, artists and photographers alike.

As well, one can return the favor and enter the location, time etc. of the wildlife seen. I think this would be a nice participatory thing thing for the kids to do, too.

You don't have to be an artist to enjoy a visit to Riverwood... but I strongly suggest you'll regret not bringing your camera.

So much  talk about Riverwood on such a sunny spring day. The greys can wait. Guess where I'm heading?

Riverwood, Mississauga crocus Copyright Christine Montague 2009

Big heART Ideas for Mississauga Small Arms Building

In the blog earlier today, I wrote about the thoughtful & inclusive process Mississauga has undergone to research the betterment of arts and culture in the city. The creation of venues for culture, heritage and education in Mississauga, has pretty well taken a back seat to 30 years of building houses, and attracting business. Pretty well complete, the city has outgrown its "bedroom community" moniker. More people are coming into Mississauga to work than leave, and guess what? A lot of artists want to work, learn, perform, teach, exhibit, sell, share, mentor, here too. But where?

Well, AIM, (Artists in Mississauga) and the Lakeview Ratepayers Association, may have the solution! Sitting on Lakeshore Blvd East, with Lake Ontario to its back is the 33,000 square foot Small Arms Inspection Office Building. This building has everything one could envision for a world level arts (all arts) centre.

The positives:

· It is ENORMOUS- solving city's desperately needed room for studios (visual art , dance, sound, & more), workshops, installations, cafe, galleries, heritage museum

· fabulous lighting everywhere - huge windows, skylights

· high ceilings (which do play a part in creativity - high ceilings, big ideas)

· Location, location, location. By the lake, Lakeshore Rd & Mississauga Transit, by Longbranch Go, by TTC streetcar, by Marie Curtis Park, by future parks and Lakeview's Heritage Plan

· Plenty of free parking space

· handy to plenty of walk by traffic - especially when those parks go in

· Large welding area- large garage doors - set to go as metal sculpture centre. Who else has one of those?

· Important potential for tourism, arts, culture, and citizen destination

· Important potential for artist to sell, work, interact, teach, exhibit, Stay in their city to create!

· Heritage: This building with its historical connections to World War 2, feminism, 40's architecture, & Mississauga development deserves to be saved, and used well. It embodies one of Mississauga's most exciting historical stories.

The Negatives? We're not in there..yet.

Mississauga Grows up. A story of hope for artists. Ending Unknown.

My city, Mississauga, located in Ontario, Canada,  is  a new city - only 30 years young. It is remarkably, for being so young,  Canada's 6th largest city. It has many wonderful attributes - a diverse, multicultural population made up of wonderful involved citizens and great neighbors, clean streets, safe environment, libraries galore,   terrific hospitals, varied work opportunity, and it is debt free.

What does this have to do with art?

Mississauga's past focus on rapid growth - from it's bedroom community image amongst farm fields, to a city with a spanking brand new skyline,  white collar industry,  and the largest  shopping centre east of West Edmonton Mall, is not a bad thing. Most people want a nice roof over their head and nice places to work and shop.

30 years ago to own a car and a suburban home was hot, and so this city was not built around culture, public transportation, and education. Attracting builders and developers and keeping the tax base low, thanks to them, was. Museums and places of art just weren't included in the equation.

The result? Rapid growth didn’t save room for all those quirky, interesting, and traditionally low rent spaces where artists of all sorts can set up shop to create, practice, incubate, mentor, promote, exhibit. There are plenty of places for children or hobbyists to take extracurricular arts courses of all types, thanks to the commitment of the city to create  community centres.  But for citizens, whose compulsion to create  is as vital to their existence as breathing,  are there are a lot of talented Mississauga artists out there, there is an extreme lack of venues to work, show, sell, create, perform, incubate etc. One must either leave, compromise,  or give up.

Then along came hope and the promise of Vision - for the Good of the City as well as its Artists.

3 years ago Mississauga, i.e., its Mayor Hazel McCallion, and Council did something rather amazing. Even though culture was not highest on their mandate, they recognized, (and the recent literature of the time proved) how cities need art and culture to be healthy . Mayor McCallion , in particular , is infamous for her passion for the city. Like a devoted parent, she decided that if her city needed arts and culture to grow, even if it wasn't her thing in particular,  she would do her darndest to help it.

Through an incredibly inspired and citizen inclusive process the following happened.

The Mayor invited unbiased, respected and knowledgeable movers and shakers to voluntarily serve on an Arts Review Task Force . ARTF held town hall meetings for every arts group & individual on what was negative &/or positive for the arts in this city. They listened. From this information, the ARTF formed a incredibly comprehensive report of recommendations for the city - one of the recommendations being the formation of the Office of the Arts & Culture. The Council accepted and lauded  the report. A momentous day, a foot in the door of hope for artists.

Next came the formation of the Office of the Arts and Culture (OAC). More listening to the arts community needs, some growing pains, a little reorganizing.

The OAC then hired the Canadian Urban Institute who held a free, incredible speakers series - "A Conversation About Building A City For The 21st Century" . This series offered attendees the opportunity to hear what different visionaries thought about Mississauga's future.

As an artist, and advocate for low cost art spaces for artists, I particularly liked the evening Dr. Roberta Bondar, astronaut, physician and photographer, shared the stage with Tim Jones, executive director of Artscape, a company specializing in building creative communities. My optimism for the arts and  Mississauga itself actually grows.

Next, Mississauga citizens - yes, everyone!- were invited to attend workshops, and round table discussions about how they viewed their city.  They got to speak their minds on exactly what it is they wanted.

In 2009, the UIC, after more calls to the public and arts communities,   made bang on recommendations for the OAC to create their strategic plan. This plan will be presented to Mississauga Council on April Fool's Day, 2009. Surely, this inspired visioning, offering such hope to the city's arts community will not turn out to be a trick.

Napkin Art - Taking Stock (everything's coming up roses)

I know I am not alone in being a doodler.  Nothing is safe - the newspaper, telephone book, napkins. If I have a pen in hand any sheet of paper is in danger of being obliterated by doodles.

Tuesday, as I ate lunch, I  mused (obsessed),  pen in hand,  on how best to move forward with my career.  To my surprise, this doodle  was much calmer than one I drew a while ago - me flailing between two pieces of bread, a palette where the lunch meat should go.  Of course, the doodling progressed to another napkin -  penguins in the shape of pink pearl erasers and and me naked doing fan dances with palettes instead of fans, but that's a whole other napkin.

Later that afternoon, thanks to Beaux-Arts Brampton artist Steve Wilson, I learned of a new art fair in Toronto, Art-2009. Thanks to the help of  a very affable organizer, I found myself, the proud inhabitant of Booth 465 0f the upcoming  Art 2009, May 12 -14th, 2009, in the Toronto Convention Centre.

I wonder if the fact I used the good flowered napkin was a sign ?

Mini Art Lesson Next Step Underpainting to Blocking in Colour for Oil painting

"Wishing It was His Turn To Go"Christine Montague 2009

"Cat Mysteries- The Visitor""Blocking in Color Copyright Christine Montague 2009

"Wishing it Was His Turn To Go" At this stage, I am adding color to the monotone under painting (see previous blogs). Some artists complete small color studies before they begin their work, but I am figuring out my palette as I go. The teal in the screen door at the right will compliment the  with the yellowish bricks on the right. The reddish brown of the upturned picnic table and houses across the street will compliment and play against the greens of the grass and figures t- shirt. Because I didn't have the tonal values properly worked out in the under painting (remember I forgot to stain the panel for my mid  tones)  adding this light layer of colour did not improve the situation. As well as I painted quickly I have lost a lot of detail - like the birds and fence posts. Not to worry- details are like the cherry on the cake - saved for last, rather than first.

Tomorrow, I will add some more detail to the person- I want to start "connecting" with him by bringing him into more into focus, & making him more real to me (like developing a character when you write). I also want to get that division of dark and light in there. When i squint at the painting the "L" shape (an L on its back) of the deck railing , t-shirt and screen door should be very dark - in shadow. The band of fencing should be lighter- more mid tones. The "L" (and L facing down) of the brick wall and sky should be light. I also want to get the birds placed back in .

"Cat Mysteries- The Visitor" Still in the mood to paint, and should be removing my artist cap for chief cook and bottle washer with four hungry people arriving home expecting their dinner, I quickly dash out the darks and some of the colour for Cat Mysteries. More fun than more serious subject and detailed work, that's for sure!

Mini Art lesson: Drawing to Underpainting. Christine Montague Oil painting "Wishing.." Begins

Do you ever wonder how one begins a painting?  Here are the first steps of my  painting  in progress now. Anxious to start painting "Wishing it was His Turn to Go" ,    and not interested to make my own canvas (the image is a not to standard canvas size), I ordered a Fredrix, artist museum quality primed linen board that I could cut to size.  Bought online, the statement "hand-primed pure Belgium Linen sounded good to me.  But when they arrived approximately a day later, I was surprised to see the warning, in caps,  that includes .., EXPOSURE MAY CAUSE HARM...NERVOUS SYSTEM, KIDNEY OR BONE MARROW DAMAGE. Wash ahnds immediately after use. When using so not eat, drink, or smoke. (shouldn't do that when oil painting anyways). Wear an apron (what kind?! a lead one?)  .

Oh, my.

Still, onward.

The first step in transferring my drawn image is to tape a sheet of tracing paper over the image. I carefully draw the  outline edges first. This serves as my registration reference.

Next I do an outline drawing fof the image. I do not bother with any shading. In this case I draw quite carefully. I like the original drawing and do not want to leave impressions on it by pressing too hard.  I include all major detail as there is a fair amount of detail in the original image that I do not want to loose.

I  tape the traced drawing onto the linen board & slid a sheet of graphite paper between the two layers.  I had not yet cut the board to size and so had extra space on which to tape. I was grateful after I did this. I usually work on gallery mount canvas (canvas with a deeper profile) that I do not frame. That I had not yet cut the board let me add a 1/4" around the image to accommodate for any frame overlap.

Here is the transferred drawing.  Somehow , in the using the new board, I have been thrown in my process. For an under painting I usually stain the surface first. If I do it at this step, it will dissolve the graphite drawing. Staining gives me a mid tone to work from. I remove the paint for my lights, and add to it for the darks.  Now, as much as the drawing and redrawing in the above processes helps me really know my painting, so I paint with  confidence,  I don't really want to be that confident, and start the whole process again!

Here is the tonal values of the painting.. Not as well defined as normal due to the lack of staining , but enough so I understand what is going on with the piece when I begin to paint with colour. I did the under painting in Old Holland Classic Oil Colours Burnt Sienna. Note: I found the oil gesso on the linen board very different to gesso on pre purchase canvas. It was shiny and almost acted as a resist.  Also, because I had not precut the board or sealed it with a stain, my hands had been in constant contact with the board. Remember the lead warning at the beginning?