Where they Are Now! Yup. I'm Still Here Seeing Rainbows.

 

I' m lucky. I may be off to a later start than many of my artist peers, but at least I'm here - painting in my very inspirational studio at the Williams Mill.  You'd never know it is only 15 minutes north of the big city. Looks right out in the country doesn't it? There it is - that promised pot of gold - pointing the way to the studio.

The OCAD University Alumni has had an exciting new initiative in the works. Alumni, of which I am proudly one, could enter work in the very first  alumni juried show entitled "Where They Are Now!".  Jurors were Melissa Bennett, Curator of Contemporary Art - Art Gallery of Hamilton, Maggie Broda, AOCA, Drawing and Painting, President of OCAD Alumni Association, and William Huffman, Associate Director at Toronto Arts Council.

I'm honoured my painting "Down the Light House Stairs" , a figurative painting in the Kincardine Lighthouse, was accepted into the show.

The Opening Reception  - Nov.12  sounds intriguing as all 12 of OCADU's  disciplines will be on display. As well, it will also be the official launch of "In Quest of a Countenance", a new book by OCAD alumni & past faculty, John Inglis. John will donate $5 from each book sold to the OCAD University Alumni Association.

Steam Whistle Brewery and Kacaba Vineyard and Winery are being supportive too. (Wahoo!)

Nov. 18 - 28, 2010. Art Square Gallery. Across from the AGO. 334 Dundas Street W. Toronto , Ontario, Canada. Daily from 9 am to 11 pm.

Cast Fishing, Cast Shadows. Plein Air Painting by the Credit River in Mississauga, Ontario, Canada

2010 Update: This original plein air oil painting, painted on location by the Credit River, -under the bridge at Burnamthorpe Bridge between Riverwood Park and Erindale park -  has been given as a charitable donation to the Art Gallery of Mississauga (AGM) for its 2010 7th Annual Art Auction Fundraiser, April 29th, 2010.

Above is a 6" x 12" oil painting of a man fishing by the Credit River. We are both under the enormous Burnamthorpe Road bridge -  between Erindale Park and Riverwood Park. The day was sunny but the shadow and the wind was cold! After 3 hours my convulsive shaking told me the painting was now finished.

Today I had the fun of plein air painting  with the newly formed group,  Ontario Plein Air Society (OPAS). I had not painted on location in years and never before with oils  ( the exception  Tapatoo Tree (sold) in water soluble oils ) .  Painting on location is quite exilarating - at least that is what I felt after I was done, and could seek relief from the cold and wind in a more sunny spot.

Just before I headed out to meet up with OPAS at Riverwood Park, I quickly thumbed through some International Artist & other art magazines for some helpful hints. Painting on location requires effort put into the logistics.

Following the example of British artist James Hart Dyke (American Artist magazine November 2003) I used the limited palette French Ultramarine, cadmium yellow, cadmium red light, raw umber and titanium white.  What freedom!

Once on location, I struggled a bit with what to paint. I sat across from an enormous old tree, partiatially in decay - but what I wanted to say about this tree could not be said on my 6" x 12" canvas. Suddenly I found my self doing a quick - almost Japanese brush like gesture of the fisherman before me ( I could have drawn him all afternoon) and that was that - I had my subject. I guess I just cannot escape the call to put a figure in my landscapes.