climate change

A Sweetheart of a Polar Bear

The sweetness of babies is universal. Whether human, or animal, it seems we are all struck by the cuteness of the young. If you have been fortunate, you will have seen a polar bear cub. They are so cute, playful and funny, it almost hurts! So why, you wonder, does this portrait of a dear little polar bear cub have a baby's breath (gypsophila) flower crown on its head?

Well, the flower crown is a symbol of nature, tribute and celebration. It reminds us that our lives - nature and humanity, are as intwined as the flowers in the crown. ( For another flower crown painting visit here)

The white gypsophila represents the innocence of the young bear, and well, that its English name is “Baby’s Breath” is symbolic in itself. Not only do we want that little bear to keep breathing for many year’s to come, but also it’s a reminder, we all share the airspace here. We are connected, that what is important for the polar bear’s survival is also important to our quality of life, too.

Do you know, that my realistic polar bear paintings are all inspired by the photographs I have personally taken of polar bears? This cub is Juno who was born at The Toronto Zoo. I think she is now at the beautiful Assiniboine Zoo, Winnipeg, Manitoba. I have not exaggerated the fur - it quite naturally formed the shape of a heart!

Sweetheart Bear  . 12” x 12” x 1.5” original oil painting on wood panel. © Christine Montague For more information, please  contact me.

Sweetheart Bear. 12” x 12” x 1.5” original oil painting on wood panel. © Christine Montague For more information, please contact me.

In the Pink - A New Polar Bear Sunset Painting

Fresh off the easel, fourth in the Polar Bear Sunset Series. In the Pink is a 24” x 24” x 1.5” oil painting on canvas. This beautiful bear is both literally and figuratively “in the pink”

In the Pink.   Sunset Polar Bear Series . ©Christine Montague Please contact Christine  here

In the Pink. Sunset Polar Bear Series. ©Christine Montague Please contact Christine here

Toronto Dark Water

You are invited! Below is the invitation to my solo show of new paintings about polar bears and climate change. Special Guest: James Kushny, a University of Toronto researcher, and Board Director for the Churchill Northern Studies Centre, the remarkable, Leed certified centre in Churchill, Manitoba, where scientists from around the world, study northern sustainability . A portion of sales will be donated to this independent, not for profit, Canadian research centre. 

An RSVP for the opening night would be appreciated. For more info, directions or to RSVP please click here

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Polar Bear in Dark water

Dark Water 1 is an oil painting portrait of a beautiful polar bear swimming.  The water is dark, as daylight is diminished in the arctic fall.

Polar Bear in Dark Water. ©Christine Montague Available at  Artworld Fine Art Gallery  until July 20, 2017. 365 Evans Ave. Toronto, Ontario, Canada. 

Polar Bear in Dark Water. ©Christine MontagueAvailable at Artworld Fine Art Gallery until July 20, 2017. 365 Evans Ave. Toronto, Ontario, Canada. 

But dark water has another implication. The earth’s bright white polar ice cap, which serves as a giant reflector for the sun’s heat, is being diminished by climate change from carbon emissions. The melting polar ice increases the darkness of the planet’s surface (hence “dark water”), decreases the sun reflected back into space, and increases the heat absorbed by the earth. More ice melts, which creates more dark water,  and so the loop continues.

This loop of sea ice loss and increased dark water endangers the polar bear. Although this magnificent bear is a highly intelligent (think great ape), top-of-the-arctic-food-chain marine mammal (the only bear that is such), and is a powerful swimmer (slightly webbed front paws, highly insulated and buoyant body), it is dependant on the frozen sea for hunting (only seal fat sustains them, not berries or birds’ eggs), resting, feeding (can’t nurse in water) and denning (necessary for mother bears with cubs, semi-hibernation, and to ride out storms).  The increase of the period of open water from spring to fall, and the distance between ice tops in winter, leaves the polar bear and its cubs vulnerable to starvation, attack, and drowning.

The polar bear in Dark Water 1 gazes back upon her path, her body twisted as if in question.

It is up to the viewer to imagine how far outside the picture frame the next ice floe waits, and whether or not, until this moment, her journey was a solitary one.