blogging

Color Fun

Curious about how well you see colour?

No matter how you spell it - color or colour - I think you will enjoy these fun, challenging, and informative  links!

I found this color test from Xrite (a global leader in color science & technology) particularly interesting . Allow yourself some time.

http://www.xrite.com/custom_page.aspx?PageID=77

From Method of Action  (upcoming site for peer to peer education for people who want to get things done design wise). This also works on an iPad. And, don't worry! You are not alone if you find you find the "Triadic" & "Tetradic" tests more physically challenging than the color test itself. (You'll see, she says smiling) .

http://color.method.ac/

And now that you’ve seen color?

Jen Reviews Color Meaning.jpg

Image from JenReviews.com

Color has meaning, too. Artists, designers, architects, all put great thought into the color they use in their work. For some more color fun, and understanding, (as well as some practical help in decorating), Jen Reviews interprets the meaning behind each color. Visit Color Meaning, Symbolism, And Psychology: What Do Different Colors Mean

You’ll see in my polar bear painting The Blue Prince here that I applied the theories of the color blue that JenReviews.com writes about.

Please note: This is a revised & updated repost from my previous blog post Color Test Fun.

Color Test Fun

Curious about how well you see colour?

No matter how you spell it - color or colour - I think you will enjoy these fun, but challenging, as well as informative  links!

Start with this easier colour challenge from RIF (Reading is Fundamental) to warm yourself up!

Color Challenge 

I found this color test from Xrite (a global leader in color science & technology) particularly interesting . Allow yourself some time.

http://www.xrite.com/custom_page.aspx?PageID=77

From Method of Action  (upcoming site for peer to peer education for people who want to get things done design wise). This also works on an iPad. And, don't worry! You are not alone if you find you find the "Triadic" & "Tetradic" tests more physically challenging than the color test itself. (You'll see, she says smiling) .

http://color.method.ac/

And now that you’ve seen color?

Color has meaning, too. artists, designers, architects, all put great thought into colors used. For even more colour fun, and a practical help to decoorating, Jen Reviews interprets the meaning behind each color -

Color Meaning, Symbolism, And Psychology: What Do Different Colors Mean


You’ll see in my polar bear painting The Blue Prince here that I applied the theories of the color blue that Jen writes about.


Eye-to-Eye With a Salmon

Since I am an artist who usually works 2D, I found myself hesitating for a second when I picked up the brush to paint the salmon cast. But I quickly realized I should use the same approach to this sculptural fish as I use with any portrait painting on canvas. Start with the eyes! The ol' the "eyes are the mirror of the soul thing".  As soon as I did this, I found my "connection" to this pre-made form. I only had salmon photos off the internet to use as reference. Thus I realize, for any salmon aficionados out there,  the salmon is probably not exactly like the Coho. Apparently,  the cast itself is not quite correct, the fins are too small, etc. But that's not really the point. To create what I proposed, all I need to start with is a shape that is easily recognizable as a healthy salmon, no matter the breed or  how exact its representation is.

My poor salmon. He only stayed "healthy" for one day. Stay tuned.

Even in Art, Development a Problem

Painted Monopoly houses will represent suburban development in my Salmon Run Project . In the picture to the left are some of the almost 200 houses lined up to be spray painted.

How to spray paint plastic? As an oil painter, working with acrylic paints and plastic materials is more or less new to me, too. First, the plastic must be cleaned with mineral spirits. A base coat spray paint for plastic is available, but I figured I didn't need it. A wide variety of colour topcoat spray paint for plastic is available, but I only needed black. I will also use Rust-oleum's Stone accents for the illusion of a roof shingle's surface.

One should wear wear a protective mask, gloves, and goggles when using spray paint. And the work area,  well ventilated.  My "well-ventilated"  area is my unheated garage with its doors open. And, as spray paint works best when the temperature is above freezing, the uncooperative GTA cold weather, delayed my project's progress. But, hey, delayed progress? As the past owner of two new homes that were not ready on time,  it's all in keeping to the spirit of building development.

I  love using spray paint, and if I was a lot younger, my art path might have followed a different path. But after putting a fair bit of work into the research for my proposal, and discovering how building development affected the salmon in the Credit River, with hindsight,  a project that uses fiberglass, spray paint, plastic, mineral spirits, electrical power, sandpaper and rags, is a contradiction to its intent.

Cast Fishing, Cast Shadows. Plein Air Painting by the Credit River in Mississauga, Ontario, Canada

Plein air oil painting Copyright Christine Montague 2009 2010 Update: This original plein air oil painting, painted on location by the Credit River, -under the bridge at Burnamthorpe Bridge between Riverwood Park and Erindale park -  has been given as a charitable donation to the Art Gallery of Mississauga (AGM) for its 2010 7th Annual Art Auction Fundraiser, April 29th, 2010.

Above is a 6" x 12" oil painting of a man fishing by the Credit River. We are both under the enormous Burnamthorpe Road bridge -  between Erindale Park and Riverwood Park. The day was sunny but the shadow and the wind was cold! After 3 hours my convulsive shaking told me the painting was now finished.

Today I had the fun of plein air painting  with the newly formed group,  Ontario Plein Air Society (OPAS). I had not painted on location in years and never before with oils  ( the exception  Tapatoo Tree (sold) in water soluble oils ) .  Painting on location is quite exilarating - at least that is what I felt after I was done, and could seek relief from the cold and wind in a more sunny spot.

Just before I headed out to meet up with OPAS at Riverwood Park, I quickly thumbed through some International Artist & other art magazines for some helpful hints. Painting on location requires effort put into the logistics.

Following the example of British artist James Hart Dyke (American Artist magazine November 2003) I used the limited palette French Ultramarine, cadmium yellow, cadmium red light, raw umber and titanium white.  What freedom!

Once on location, I struggled a bit with what to paint. I sat across from an enormous old tree, partiatially in decay - but what I wanted to say about this tree could not be said on my 6" x 12" canvas. Suddenly I found my self doing a quick - almost Japanese brush like gesture of the fisherman before me ( I could have drawn him all afternoon) and that was that - I had my subject. I guess I just cannot escape the call to put a figure in my landscapes.

Mini Art lesson 4. Learn Along with me in How to Paint Grays in Oil.

One of the reasons I wanted to create the painting I have in progress at the moment (scroll down) was the challenge to paint many variations of the colour gray. A trivia  email going around states that the human eye sees 500 shades of gray. In trying to confirm this online,  I have found the human eye sees 500, 700, 256, a dozen and less than 16 shades of gray.  Whatever the true answer is, it is a lot more than I normally mix in  my standard palette, and in the creation of this painting  I hope to illustrate as many variations as I can. Normally, I use the following  standard palette -

My usual pallette

  • cadmium yellow pale
  • yellow ochre
  • cadmium red
  • alizarin crimson
  • viridian
  • olive green
  • chrome green
  • cerleum blue
  • cobalt blue
  • ultramarine
  • burnt umber
  • titanium white

I create black from mixing equal parts burnt umber and ultramarine and my grays from adding white to that mixture. (see lower right of palette above)

gey-beginning4

So how to expand on my knowledge of creating grays?

I turned to the terrific book I bought recently Color Mixing For Artists Minimum colors for maximum effect using watercolors, acrylics, and oils by John Lidzey, Jill Mirza, Nick Harris, and Jeremy Galton. Barrons Educational Series Inc. This is one of the most readable, portable, helpful and affordable color books found in our local stores.

This is the starter palette from Color Mixing For Artists

Starter palette for oils

  • titanium white
  • lemon yellow
  • cadmium yellow
  • yellow ochre
  • cadmium red
  • alizarin crimson
  • Winsor violet
  • French Ultramarine
  • raw umber
  • Payne's gray

The book has a whole section on mixing gray as well as sections on mixing most other colors

Mixing Gray oil paint

Palette 1. Using Alizarin crimson, viridian, ultramarine, lemon yellow

Left: 7 parts viridian, 1 part alizarin, 2 white

Centre: 3 part viridian, 1 alizarin crimson, 6 white

Right: added some more viridian and white  to left mixture

Ignore blue blob

Mixing grays

Palette 2

Left: 2 parts French Ultramarine, 1 alizarin crimson, 2 lemon yellow, trace white

Centre: 4 parts French ultramarine, 1 cadmium red . White.

Right: 20 parts viridian, 1 part crimson, white, and more white

palette 3 Mixing gray in oil paint

Palette 3

Top left: 4 parts cerelean blue, 2 camium red, 1 lemon yellow, 2 white. And more white.

Bottom left: Mixtures of ultramarine and alizarin and white.

Bottom right: cerelean blue, burnt umber , white

Top right: 3 french ultramrine, 1 alizarin crimson, trace lemon yellow, white

Of course what I am really doing for much of this painting is creating the illusion of white painted surfaces- the railing, painted walls, white flowers on the t-shirt- in shadow and reflection. One of the great joys of painting is learning to intrept just what it exactly what we are seeing. When asked what colour are the walls, we would answer white, but what we paint is another story.

An additional note. A couple of years ago I enjoyed a show entitled "White" at the the Abbozzo gallery in Oakville.  Examples of the interpretation of white from all the gallery's stable of artists wwere on display. This show was a great example to all painters and students on the myriad of ways to paint white (and its grays)  - whether in abstract. realistic or illustrative painting. To see a few examples from this show click here.

Grey Paint. Phenology. Where's the link?

Riverwood, Mississauga crocus Copyright Christine Montague 2009

Today I was going to talk about painting greys, that is until I did a look see at  The Riverwood Conservancy new web site- here. Formally the known Mississauga Garden Council, this non profit organization has chosen a new name more suitable to  their role as steward (and much more)of this amazing urban wilderness - that in their words, to which I fully concur-  is both "beautiful and wild".

There is much to explore in this 150 acre old growth forest that is the most ecologically diverse in the Credit Vally watershed. Do you know that the salmon, yes salmon, are working their way through the 6th largest city in Canada, right about - let me check my watch - now?

But what I really wanted to let you in on is the niftyRiverwood web feature, the Phenology Database . At this link one can search for the time and place of the sightings of specific animals and birds. I think this is a great tool for nature lovers, artists and photographers alike.

As well, one can return the favor and enter the location, time etc. of the wildlife seen. I think this would be a nice participatory thing thing for the kids to do, too.

You don't have to be an artist to enjoy a visit to Riverwood... but I strongly suggest you'll regret not bringing your camera.

So much  talk about Riverwood on such a sunny spring day. The greys can wait. Guess where I'm heading?

Riverwood, Mississauga crocus Copyright Christine Montague 2009

Mississauga Grows up. A story of hope for artists. Ending Unknown.

My city, Mississauga, located in Ontario, Canada,  is  a new city - only 30 years young. It is remarkably, for being so young,  Canada's 6th largest city. It has many wonderful attributes - a diverse, multicultural population made up of wonderful involved citizens and great neighbors, clean streets, safe environment, libraries galore,   terrific hospitals, varied work opportunity, and it is debt free.

What does this have to do with art?

Mississauga's past focus on rapid growth - from it's bedroom community image amongst farm fields, to a city with a spanking brand new skyline,  white collar industry,  and the largest  shopping centre east of West Edmonton Mall, is not a bad thing. Most people want a nice roof over their head and nice places to work and shop.

30 years ago to own a car and a suburban home was hot, and so this city was not built around culture, public transportation, and education. Attracting builders and developers and keeping the tax base low, thanks to them, was. Museums and places of art just weren't included in the equation.

The result? Rapid growth didn’t save room for all those quirky, interesting, and traditionally low rent spaces where artists of all sorts can set up shop to create, practice, incubate, mentor, promote, exhibit. There are plenty of places for children or hobbyists to take extracurricular arts courses of all types, thanks to the commitment of the city to create  community centres.  But for citizens, whose compulsion to create  is as vital to their existence as breathing,  are there are a lot of talented Mississauga artists out there, there is an extreme lack of venues to work, show, sell, create, perform, incubate etc. One must either leave, compromise,  or give up.

Then along came hope and the promise of Vision - for the Good of the City as well as its Artists.

3 years ago Mississauga, i.e., its Mayor Hazel McCallion, and Council did something rather amazing. Even though culture was not highest on their mandate, they recognized, (and the recent literature of the time proved) how cities need art and culture to be healthy . Mayor McCallion , in particular , is infamous for her passion for the city. Like a devoted parent, she decided that if her city needed arts and culture to grow, even if it wasn't her thing in particular,  she would do her darndest to help it.

Through an incredibly inspired and citizen inclusive process the following happened.

The Mayor invited unbiased, respected and knowledgeable movers and shakers to voluntarily serve on an Arts Review Task Force . ARTF held town hall meetings for every arts group & individual on what was negative &/or positive for the arts in this city. They listened. From this information, the ARTF formed a incredibly comprehensive report of recommendations for the city - one of the recommendations being the formation of the Office of the Arts & Culture. The Council accepted and lauded  the report. A momentous day, a foot in the door of hope for artists.

Next came the formation of the Office of the Arts and Culture (OAC). More listening to the arts community needs, some growing pains, a little reorganizing.

The OAC then hired the Canadian Urban Institute who held a free, incredible speakers series - "A Conversation About Building A City For The 21st Century" . This series offered attendees the opportunity to hear what different visionaries thought about Mississauga's future.

As an artist, and advocate for low cost art spaces for artists, I particularly liked the evening Dr. Roberta Bondar, astronaut, physician and photographer, shared the stage with Tim Jones, executive director of Artscape, a company specializing in building creative communities. My optimism for the arts and  Mississauga itself actually grows.

Next, Mississauga citizens - yes, everyone!- were invited to attend workshops, and round table discussions about how they viewed their city.  They got to speak their minds on exactly what it is they wanted.

In 2009, the UIC, after more calls to the public and arts communities,   made bang on recommendations for the OAC to create their strategic plan. This plan will be presented to Mississauga Council on April Fool's Day, 2009. Surely, this inspired visioning, offering such hope to the city's arts community will not turn out to be a trick.

Mini Art Lesson Next Step Underpainting to Blocking in Colour for Oil painting

next step:Blocking in Color Copyright Christine Montague 2009

Blocked in colour over underpainting Copyright Christine montague 2009

"Cat Mysteries- The Visitor""Blocking in Color Copyright Christine Montague 2009

"Wishing it Was His Turn To Go" At this stage, I am adding color to the monotone under painting (see previous blogs). Some artists complete small color studies before they begin their work, but I am figuring out my palette as I go. The teal in the screen door at the right will compliment the  with the yellowish bricks on the right. The reddish brown of the upturned picnic table and houses across the street will compliment and play against the greens of the grass and figures t- shirt. Because I didn't have the tonal values properly worked out in the under painting (remember I forgot to stain the panel for my mid  tones)  adding this light layer of colour did not improve the situation. As well as I painted quickly I have lost a lot of detail - like the birds and fence posts. Not to worry- details are like the cherry on the cake - saved for last, rather than first.

Tomorrow, I will add some more detail to the person- I want to start "connecting" with him by bringing him into more into focus, & making him more real to me (like developing a character when you write). I also want to get that division of dark and light in there. When i squint at the painting the "L" shape (an L on its back) of the deck railing , t-shirt and screen door should be very dark - in shadow. The band of fencing should be lighter- more mid tones. The "L" (and L facing down) of the brick wall and sky should be light. I also want to get the birds placed back in .

"Cat Mysteries- The Visitor" Still in the mood to paint, and should be removing my artist cap for chief cook and bottle washer with four hungry people arriving home expecting their dinner, I quickly dash out the darks and some of the colour for Cat Mysteries. More fun than more serious subject and detailed work, that's for sure!

Mini Art lesson: Drawing to Underpainting. Christine Montague Oil painting "Wishing.." Begins

Do you ever wonder how one begins a painting?  Here are the first steps of my  painting  in progress now. Anxious to start painting "Wishing it was His Turn to Go" ,    and not interested to make my own canvas (the image is a not to standard canvas size), I ordered a Fredrix, artist museum quality primed linen board that I could cut to size.  Bought online, the statement "hand-primed pure Belgium Linen sounded good to me.  But when they arrived approximately a day later, I was surprised to see the warning, in caps,  that includes .., EXPOSURE MAY CAUSE HARM...NERVOUS SYSTEM, KIDNEY OR BONE MARROW DAMAGE. Wash ahnds immediately after use. When using so not eat, drink, or smoke. (shouldn't do that when oil painting anyways). Wear an apron (what kind?! a lead one?)  .

Oh, my.

Still, onward.

The first step in transferring my drawn image is to tape a sheet of tracing paper over the image. I carefully draw the  outline edges first. This serves as my registration reference.

Transferring the drawing to the painting surface Copyright Christine Montague

Next I do an outline drawing fof the image. I do not bother with any shading. In this case I draw quite carefully. I like the original drawing and do not want to leave impressions on it by pressing too hard.  I include all major detail as there is a fair amount of detail in the original image that I do not want to loose.

Detail of tracing Copy right Christine Montague 2009

I  tape the traced drawing onto the linen board & slid a sheet of graphite paper between the two layers.  I had not yet cut the board to size and so had extra space on which to tape. I was grateful after I did this. I usually work on gallery mount canvas (canvas with a deeper profile) that I do not frame. That I had not yet cut the board let me add a 1/4" around the image to accommodate for any frame overlap.

Graphite used to transfer drawing to linen board. Copyright Christine Montague 2009

Here is the transferred drawing.  Somehow , in the using the new board, I have been thrown in my process. For an under painting I usually stain the surface first. If I do it at this step, it will dissolve the graphite drawing. Staining gives me a mid tone to work from. I remove the paint for my lights, and add to it for the darks.  Now, as much as the drawing and redrawing in the above processes helps me really know my painting, so I paint with  confidence,  I don't really want to be that confident, and start the whole process again!

Drawing the outline Step 2 to tranfer drawing to painting surface Copyright Christine Montague

Here is the tonal values of the painting.. Not as well defined as normal due to the lack of staining , but enough so I understand what is going on with the piece when I begin to paint with colour. I did the under painting in Old Holland Classic Oil Colours Burnt Sienna. Note: I found the oil gesso on the linen board very different to gesso on pre purchase canvas. It was shiny and almost acted as a resist.  Also, because I had not precut the board or sealed it with a stain, my hands had been in constant contact with the board. Remember the lead warning at the beginning?

Original drawing & Underpainting Copyright Christine Montague 2009

Begining Steps for a Step painting: Seagull at Gairloch Steps, Oakville

Normally an oil painter, I  have heard good things about Golden's open acrylics. "Seagull at Gairloch Steps, Oakville" copy right Christine Montague

In my post about my painting  "GR33N" I gave them a go for the first time, but not in my usual more realistic style.  I have now started the painting "Seagull at Gairloch Steps" Gairloch is a beautiful garden  park in Oakville, Ontario. A beautiful  heritage home, now a gallery, sits on a hill overlooking the great Lake Ontario. These old stone steps and wall, now just a picturesque resting place for winged and biped visitors are one of my favorite parts of the park.  I have at least three paintings in mind involving this wall.

But what I thought would be the first quick go at the mini series, is taking me much longer. This is not the finished painting. Although I like the open acrylics, they just do not respond to how I like to paint. No glazing for example.  So what should have been a quick study, isn't, as I figure out this new medium.

I'm attempting to keep an open mind about these new open acrylics, which stay wet remarkably long and feel a little more like oils in weight... but for my next paintings.. back to oils!

Have you tried open acrylics? What did you think of them?

Valentine's Day Love for Chickadees at Riverwood Park

Chickadee lands on photographer artist Christine Montague   I was over at Riverwood Park early this morning to take part in the Riverwood Conservacy  "Family Day" bird talk. I wanted to learn more about the birds I see in the park , and was hoping for some great photos too.

Photographing a chickadee that hops down for a moment to pluck a seed from your hand is not easy when one's fingers are numb from the cold and one's arms are aching from patiently standing still  - holding a camera to one's face with one hand and holding the other arm up and out lie a tree branch. But the wait was worth it ! The feeling of the little claws landing on the thumb then hoping to the palm are unique. One can't help but love these cheery little birds. And what a joy to reconnect with naturen on our very urban city.

Speaking of our city..In Mississauga , Valentine's day is also a cause for another celebration - Our Mayor Hazel McCallion,  the mayor of Canada's  sixth largest city, celebrates her birthday. The significance? Not only does Madame Mayor turn 88, but she always hosts a fundraiser for the arts on this day. A year ago today, it was my honour to have my portrait painting of the late, great Oscar Peterson, presented to the Mayor, and Kelly and Celine Peterson, at the Mayor's Valentine day's Tribute to Oscar Peterson "Feelings from the Heart". It was a wonderful moment in my carreer, as well as a wonderful show, produced by Mississauga's own Ron Duquette. The painting now hangs by the portrait of Mayor McCallion in the Living Arts Centre.

So enjoy your Valentines's Day, and for Ontarioians, your Family Day Weekend. Mine is certainly off to a good start!

P.S. A special thank you to all the wonderful, knowledgeable & friendly Riverwood Conservacy Volunteers. As well there is a terrific new free brochure out from the Riverwood Conservacy that identifies the Riverwood birds

The Fine Art of Mystery, Migration in Mississauga

The visitor drawing-wishing-it-was-his1

This is one of two drawings I have started with two very different paintings in mind. I normally don't work on more than one painting at a time  - but both themes have equally grabbed my attention. This drawing , with my son as a model, expresses the sentiment of a young man waiting for arrival of  news that will take him away from his suburban home. He knows he will not hear until the spring.

Migrating birds have settled in the yard on their flight south. The young man startles them and their sudden flight brings catches him in the moment.  He wants to be leaving too.

This suburban yard, and landscape devoid of summer foliage holds no interest for him to stay. He is like the one lawn chair (at the end of the deck) waiting to be put away. The house across the street , representing "man and his castle" is in shadow.

The Cat Series: Here is a marker and pencil drawing to get a feel for "The Visitor" . Although unintentional, I like that  I started the series on Feb. Friday the 13th. The real mystery? How shall I execute this (how Friday the 13th)? A painting done in a graphic novel style? Realistically? Only the shadow knows...at the moment:)

GR33N...& Good Night

GR33N
GR33N

Well, this was the day I was going to start posting a new painting - showing its progression right from the beginning. But it has been a busy day writing art stuff - Juror's notes from judging the Beaux-Arts Brampton "Youth For Heritage" Art Show (which opens Thursday if you are in the area) , AIM (Artists in Mississauga) updates, twitter, new photography web site and on & on.  Hope you like this new little painting instead. Not in my usual style, but great to test out open acrylics. My daughter loves this green sweatshirt. She is texting . What else could the title be..GR33N